As a design professional, it is always exciting to see which color that Pantone chooses as the “Color of the Year”. When it was announced that the color for 2022 is Very Peri, Joe couldn’t help but think of his mom.
“She loved periwinkle blue. It was her way to wear purple.” Joe says. “I can’t wait to see how Very Peri will show up in our events in 2022 and when it does, my mom and her thoughts on the color will be at the top of my mind.” Joe’s mom shared her observation that after “oppressed” times such as poor economy, or societal challenges, fashion often turned to brighter colors that bring happiness and joy.
Interested in the latest information about event industry trends, environments and identity? We would love for you to subscribe to our quarterly newsletter. Click here to subscribe.
When you last heard from Joe and Todd, the event world, and the world in general, had turned upside down. No one was quite sure what the next day would bring. Then the next week. The next month. Now here we are rounding the corner of another year. The only constant it seems, is staying super flexible, learning to love dry erase boards and white-out, and having a plan B. Maybe a plan C. Plus coffee and chocolate. Lots of coffee and chocolate.
Many of you have reached out to see how we are holding up and what business looks like on our end of things. First off, Wow – Thank you! Your encouragement, support and business inspire us – the folks that are in the business of inspiration.
RumbleDrum is doing great! Moving into our fifth year (how can that be?!) as a luxury guest experiences company, we are successful and growing. We love partnering with our Tulsa clients, we’re doing more projects with incredible organizations in Oklahoma City and we’ve put down some exciting roots in Northwest Arkansas. We love you, Bentonville!
We’ve added additional creatives to our team who have adopted the RumbleDrum rallying cry, “Let’s do something amazing!” Led by Joe and Todd, the team is energetic, intelligent and a well-oiled problem-solving machine. Like Joe and Todd, they are fun and funny. Friends and clients who know us best, know that sharing laughter together is part of the secret sauce that makes RumbleDrum what it is.
Guest experiences that inspire are what RumbleDrum is all about. A mash-up of out-of-the-box creativity plugged into innovation and opportunity means our team could (dreaded word alert) “pivot” to keep delivering incredible guest experiences, including some live events and as needed, engaging virtual events. Whatever shape or size events are taking, Joe and Todd seek ways to level up with unexpected surprises, artful touches, and an ultra luxurious vibe.
“In the midst of every crisis lies great opportunity,” a quote attributed to Albert Einstein, sums up other RumbleDrum projects that opened up new avenues of success. Designing and producing COVID messaging signage, full scale logistical planning, design and implementation for mask/sanitation stations, testing environments, and vaccine sites, has expanded our capabilities in new ways.
So here we are at the intersection of Success and Growth. Meet us here. Whether you want to chat, ask questions, or share a cup of coffee, or a piece of chocolate, we want to connect with you. Just send us an email.
RumbledDrum’s goal is to create a space to share what’s on our minds in regards to creativity, guest experiences, events and other design projects. Our space will showcase ideas from leaders in our industry, as well as designers we admire.
When Todd and I first became friends, his work as an architect intrigued me. I am one of those people that admires buildings and design; however, Todd’s eye for detail goes to a whole new level. I told someone that I used to think I was a detailed person, but I think I was wrong. Todd also has the unique ability to see the big picture first. His big picture thinking has brought great things to our company.
Finding creative designers inspires me. It is fun to me to try and imagine what someone was hoping for or thinking of when they created their latest work. I’ve spent my life wandering through museums, clothing stores and thumbing through magazines trying to get inside the mind of the artist. I suppose that is why the recent surge of personal blogs, videos and television shows where you can see designers working and hearing their thoughts are especially appealing to me.
One of my recent addictions is the AD tours of celebrity homes called Open Door. Architectural Digest goes on a home-owner guided tour and creates these short videos that eventually make their way to YouTube. One of my favorites is “Inside Shay Mitchell’s Mediterranean-Inspired Home | Open Door | Architectural Digest”
Ms. Mitchell’s interior designer friend, Chad Wood, tells about why they chose certain elements and unique finds to make this house a home. I would encourage you to watch it, but you may end up joining my addiction of watching the entire series.
A few years ago, Todd and I were in Palm Beach, Florida looking at venues for a client. One of the site visits included staying at The Colony Hotel. I’ve stayed in a lot of hotels over the years, but there was something about this small, older hotel that quickly caught my attention. The style is classic Palm Beach with vibrant pinks and greens. As our host was giving a tour, she identified the interior designer as Carleton Varney. I recognized the name as the successor of the Dorothy Draper Company. Outside of a few magazine articles, I didn’t know much about him. I started reading everything I could find. I would use words and phrases like “over the top” and “wow” and “bold and dramatic” to describe his work.
While visiting Palm Beach, Todd picked up the concept of “maximalist.” It’s the idea of design (especially interior design) being the opposite of “minimalist.” Maximalist design typically uses bright and bold colors. An aesthetic of excess is another way it’s been described. Maximalism is certainly not a new term or style. Maximalism can be found through the ages in music, literature and art. More is more another way I’ve heard people talk about the concept of maximalism.
When Todd heard this word “maximalism,” he immediately commented that our Christmas decorating style certainly fit this description. Since then, I have become a fan of maximalism, trying to learn as much as I can. I’ve come to love the style more than I realized was possible.
Dorothy Draper was a pioneer in the interior design world (usually identified as the first interior design company). Carleton Varney bought her company in 1964. He had designed the interiors of The Greenbrier in White Sulphur Springs, West Virginia, and so much more.
We designed our office Christmas tree in the spirit of maximalism. With orange, hot pink and red, we covered the tree with large ornaments, included pieces of luggage in the tree and lots of bright ribbon. Christmas is the perfect time to embrace maximalism and go with the phrase “more is more!”
When we get together with designers and other creatives, the word inspiration many times comes up. I think of inspiration as being something that inspires me to be creative or think of new ideas. Inspiration is not copying or recreating someone else’s work; however, it could be adapting their ideas for one’s own purpose. For me, inspiration is drawing from the ideas of others to generate my own original work.
Usually, when someone asks me where I get my inspiration, I say without a doubt “travel!” It seems like traveling just about anywhere can give me new ideas and get my creative juices flowing. My dad used to say that he went on vacation to dream and imagine, and it was often that we came home with a new business idea or an idea solidified. He named a business project “Climbin’ Hi Enterprises” after a week-long trip to Pikes Peak and the Rocky Mountains. He loved the imagery of “climbin’” the mountain to conquer a goal. I was in junior high and of course, I challenged his spelling of “high” — he insisted it was a play on words and it was the idea of the friendliness of climbing together. I never quite believed that it was intentional. We had some plastic round “tuits” and for a while I kept one on my desk reminding me of the fun he had creating that company on that creative vacation.
Next to traveling, I’ve always considered periodicals a source of inspiration. I grew up in a household that often had four or five newspapers coming into our home and up to a dozen magazines. At our office we have a daily local newspaper as well as the New York Times. There is something about a print paper with the full-page ads, the photos and the news that is so much better to me than scrolling through internet stories. And we take magazines: Vogue, Martha Stewart, ElleDecor and more. I am a ripper or a clipper — I love to pull images (especially) that inspire me or give me ideas. I can pull an image that I ripped from 20 years ago and typically still tell you what I liked about it and what inspired me.
Pinterest has become “idea central” for many. Yes, I have tons of stuff pinned, however, I want to think of it as inspiration and not a place to copy the work of others.
Many people find great success with ideas, notebooks or journals. Some can easily track inspiring things from the web. Others have sample boxes and files. In my opinion, it doesn’t matter how you get inspired, it matters that you have a way to be inspired.
Back in the 90’s, I visited the office/store of an Interior Designer, I was inspired beyond my imagination with all of the possibilities that I saw there. I can remember so many details about that day.
I remember the big basket of mail near the front counter with magazines and samples and lots of catalogs. I remember the photographs on the wall caught my attention. So many things that I had never seen before were there for sale.
The thing that really stood out to me was the urgency that permeated the air. There was an atmosphere of movement and conversation. The phone was ringing. Activity was happening all around the office. That moment inspired me to be a part of something just as exhilarating.
25 years later, I still think about that day. And nearly every day, I want to inspire that atmosphere of getting it done in our own office space.
Some years back, I had a paradigm-shift in the world of fashion. I grew up buying and wearing the menswear ready-to-wear designers like Calvin Klein, Nautica, Ocean Pacific, Jantzen, Perry Ellis, Ralph Lauren, Tommy Hilfiger and many more. Fashion to me was about “what I would wear” or other consumers like me would wear. I could walk through Dillard’s in 1988 and identify what would be great sellers and what would be left on the rack at the end of the season.
Fashion shows, while interesting, did not make sense to me. Much of the “craziness” on the runway was not anything I would see walking down my streets. When my mind began to shift, looking to fashion as the way to identify art, trends and more, it began to make a lot more sense to me. It was about the creativity and the forecasting more than the practical buyer.
After I went to Fashion Week in New York City, my eyes were opened to the drama and the excitement (along with the Soap Opera, Bold and Beautiful — but that’s all I plan to say about that)!
I think often of Miranda Priestly’s wonderful tirade in The Devil Wears Prada, “‘This… stuff’? Oh. Okay. I see. You think this has nothing to do with you. You go to your closet and you select… I don’t know… that lumpy blue sweater, for instance because you’re trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don’t know is that that sweater is not just blue, it’s not turquoise. It’s not lapis. It’s actually cerulean. And you’re also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves Saint Laurent… wasn’t it who showed cerulean military jackets? I think we need a jacket here. And then cerulean quickly showed up in the collections of eight different designers. And then it, uh, filtered down through the department stores and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and it’s sort of comical how you think that you’ve made a choice that exempts you from the fashion industry when, in fact, you’re wearing the sweater that was selected for you by the people in this room from a pile of stuff.”
And suddenly it all makes sense and has purpose.